Happy New Year's, all! Here's what I'll be listening to this evening....
Tuesday, December 31, 2024
20 Favorite Albums from 2024: Part 2 - #10-1
Friday, December 27, 2024
Top 20 Favorite Albums of 2024: Part 1 - #'s 11-20
The path through the Top 20 starts here! This first half covers albums ranked 11-20.
Peter Gabriel - i/o (dark side) (2023) Jeff Rosenstock - Hellmode (2023) Floating Points - Eleania (2015) Asgier Trausti - Dýrð í dauðaþögn (2012) The Guess Who/Derek Sharpe & the Champagne Jam - Plein D'Amour (2022) Autechre - LP5 (1998) Leprous - Melodies of Atonement (2024) Avalanche Kaito - Talitakum (2024) Mo Troper -Troper Plays Brion (2023) Hjalmar - Skyjaborgin (2015)Thursday, December 5, 2024
2024 Album Roundup Series: The Problem With November.
Ah, November. Too late in the game to get a fair shake, but still clearly within the boundaries of 2024. Still, some of these albums have a shot at Album of the Year - so what to do?
Tune in below to find out! In this episode:
Geordie Greep - The New Sound (2024) Friko - Where We've Been, Where We Go From Here (2024) Lisa Bella Donna - Electronic Voyages (2023) El Khat - Mute (2024) Master Boot Record - Personal Computer (2022) Blood Incantation - Absolute Elsewhere (2024)Tuesday, November 26, 2024
Favorite Albums of 2024: The Fall Top 12
Last Friday marked the beginning of the finals, which means that somewhere along the way, we very quietly came up with a Fall Top 12, curated from all the music in rotation from July to October. I traditionally don't make a video covering this list on my channel, so the only place that you will see it is RIGHT HERE:
Sunday, November 10, 2024
2024 Album Showdown Results: Final Tier 6 Results and Upcoming Attractions
This post documents the remaining Tier 6 showdowns, two from this week and a couple of stragglers from the previous cycle. The divergences here between the prime results and those of the Viewer’s Choice is pretty striking, but it's these differences that make running the parallel brackets so interesting (not unlike divergent endings in the old Choose Your Own Adventure books…).
Tier 7 will continue this week and into the next, with the prime results being posted in short-form videos published in the microblogging portal of your choice. Tier 7 results produce the preliminary Fall Top 12, a list that will be finalized after the group’s top contributor replaces one album on the list with one favorite eliminated album from Tier 6.
After finalizing the Fall Top 12, the group will need to select saves for the finals. A Google Doc of eligible Tier 6 albums will be made available on Wednesday, Nov. 20, and close on Friday at noon on Nov. 22. All participants will select six favorites from this list, and the most-voted for albums will advance directly to the finals.
Finals will begin on Friday, Nov. 22. Completing all showdowns by the end of the year will require EIGHT showdowns a week for five weeks. That’s a lot. The good news is that the majority of these albums will be ones that we are already familiar with. The bad news is that they will all be good. I don’t want folks to get overwhelmed, so I see a couple of options to help with the pacing.
Option 1: Four showdowns twice a week in the same Friday and Monday pattern that we have sustained all year long
Option 2: Two showdowns four times a week Friday through Monday.
I will release a poll in the group alongside these results to get a sense of what works best for everyone.
Kofi Flexxx - Flowers in the Dirt VS. The Ethnic Heritage Ensemble - Open Me: A HIgher Consciousness of Sound and Spirit
Kofi Flexxx - Flowers in the Dirt
Given its relatively subdued tone, it is easy to overlook the genius moments throughout Open Me. Flowers in the Dirt has many similar moments, but with a defiant tone that I find appealing.
Alcest - Les Chants de l'Aurore VS. Cloakroom - Dissolution Wave
Cloakroom - Dissolution Wave
Dissolution Wave has been a serious sleeper this season. There’s a part of me that fondly remembers participating in the 90s Dallas music scene, and this album activates a sense of nostalgia for live bands from that era. Musically, Alcest is arguably the superior group, but their languid vocal delivery makes for a confusing expressive rift in the album’s emotive capacity, allowing Dissolution Wave to take this one.
Kalandra - A Frame of Mind VS. The Decemberists - As It Always Was, So It Will Be Again
The Decemberists - As It Always Was, So It Will Be Again
I have a lot of personal affection for the heavy-folk-lite-prog of Kalandra, their more recent album lacks some of the psychedelic elements that made their debut so distinctive. Additionally, the Decemberists can simply write great, singable tunes with tear-jerking lyrics, which is hard to beat in this year’s showdown environment.
Debashish Bhattacharya - The Sound of the Soul VS. Dewa Alit & Gamelan Salukat - Chasing the Phantom
Dewa Alit & Gamelan Salukatt - Chasing the Phantom
So tricky, as these are both outstanding contemporary examples of traditional music from different culture-groups Debashish Bhattacharya is inarguably brilliant, and The Sound of the Soul is an excellent, low-commitment introduction to the sounds of Hindustani classical music. Situations like this, however, can boil down to personal preference, and I just love the wicked intensity and structure of Balinese gamelan. Dewa Alit’s unique tuning approach and the fiery virtuosity of Gamelan Salukat make my hairs stand on end, and I have to recognize that. Chasing the Phantom goes on.
Viewer’s Choice
Madlib - Sound Ancestors VS. The Ethnic Heritage Ensemble - Open Me: A HIgher Consciousness of Sound and Spirit
The Ethnic Heritage Ensemble - Open Me: A Higher Consciousness of Sound and Spirit
Alcest - Les Chants de l'Aurore VS. Mandy, Indiana - I’ve Seen a Way
Alcest - Les Chants de l’Aurore
Kalandra - Frame of Mind VS. The Decemberists - As It Always Was, So It Will Be Again
Kalandra - Frame of Mind
Debashish Bhattacharya - The Sound of the Soul VS. Dewa Alit & Gamelan Salukat - Chasing the Phantom
Deabashish Bhattacharya - The Sound of the Soul
Saturday, November 9, 2024
2024 Album Showdown Results: Tier 6 Part 5
Leprous - Melodies of Atonement VS. Birth - Born
Leprous - Melodies of Atonement
Born is a beefy chunk of retro-prog, for sure, and one packed with technical, patinated playing. I don’t necessarily walk away humming their songs, though, while Melodies of Atonement’s more pop-inspired aspects have an earwormish way. It also doesn’t hurt that those tunes are imprinted with Einar Solberg’s vocals.
Azmari - Maelstrom VS. Altin Gun - Ask
Azmari - Maelstrom
Both of these European cross-cultural ensembles are equally seductive and inventive. Of the two, however, I would venture to say that Azmari is the more musically adventurous.
Mo Dotti - Opaque VS. The Beths - Expert in a Dying Field
The Beths - Expert in a Dying Field
Its the tunes, plain and simple. Mo Dotti’s are excellent, especially within their shoegaze frame, but The Beth’s melodicism and energy wins out.
Floating Points - Cascade VS. Disasterpeace - Rise of the Obsidian Interstellar
Disasterpeace - Rise of the Obsidian Interstellar
Huge, huge, HUGE upset here. Floating Points has been behind some of my absolute favorite music for the past two years, which probably casts a bit of an unfair shadow on Cascade. It is an absolutely brilliant EDM album - probably one of the best I’ve heard in years - but it just doesn’t break genre barriers in the way that I am used to hearing from Floating Points. The arresting compositional craft of Rise of the Obsidian Interstellar, coupled with its inherent nostalgic qualities, gave it a surprising edge.
Viewer’s Choice
Leprous - Melodies of Atonement VS. Bill Fisher - How to Think Like a Millionaire
Bill Fisher - How to Think Like a Millionaire
Azmari - Maelstrom VS. Glass Beams - Mahal
Azmari - Maelstrom
Mo Dotti - Opaque VS. The Beths - Expert in a Dying Field
The Beths - Expert in a Dying Field
Floating Points - Cascade VS. Disasterpeace - Rise of the Obsidian Interstellar
Floating Points - Cascade
Wednesday, October 30, 2024
King Crimson Then and Now: Can You Beat Beat playing Beat?
A look back at King Crimson's 1982 album Beat, as well as the current retrospective tour by the band of the same name, with a special emphasis on the band's identity.
Sunday, October 20, 2024
2024 Album Roundup Series: October Tier 6 Contenders
The last batch of tunes for Tier 6, including:
Floating Points - Cascade (2024) Mo Dotti - Opaque (2024) Debashish Bhattacharya - The Sound of the Soul (2024) Azmari - Maelstrom (2024) Leprous - Melodies of Atonement (2024) Kalandra - Frame of Mind (2024)Friday, October 18, 2024
The Morse Code Part 3: Spock's Beard & The Kindness of Strangers
This is the third in a six-part series on the early releases of Spock's Beard. In this installment, we'll take a closer look at the band's 1998 debut album, The Kindness of Strangers.
Thursday, October 10, 2024
2024 Album Roundup Series: October Tier 6 Contenders
More great and interesting music to check out, including music from:
Wesley Fuller - All Fuller, No Filler (2024) Jack White - No Name (2024) Chrystabell & David Lynch - Cellophane Memories (2024) Alcest - Les Chants de l'Aurore (2024) The Ethnic Heritage Ensemble - Open Me: Open Me: A Higher Consciousness of Sound and Spirit (2024) Allan Holdsworth - Metal Fatigue (1985)2024 Album Showdown Results: Tier 6, Part 4
Chrystabell & David Lynch - Cellophane Memories VS. Bill Rieflin - Birth of a Giant
Bill Rieflin - Birth of a Giant
Cellophane Memories is must-have for any David Lynch enthusiast. It sheds light on a different corner of his universe and, as is usually the case, unearths new perspectives as much as it conceals others. It is, however, niche listening for the patient Lynch fan. One could argue that Birth of a Giant holds a similar place in the King Crimson timeline, but the performances are more overtly charismatic (especially those of Robert Fripp). Additionally, as a Tier 1 survivor, time has been kind to the album as repeated listenings have revealed deeper musical structures.
Allan Holdsworth - Metal Fatigue VS. Peter Gabriel - i/o (Bright Side Mix)
Peter Gabriel - i/o (Bright Side Mix)
Both of these albums are flawed masterpieces from top-notch artists, but i’o’s high points outshine those found on Metal Fatigue. It looks like very soon, we will need to decide which mix of i/o, the bright or dark side, will represent Peter Gabriel in the finals.
Jack White - No Name VS. Polyphia - Remember That You Will Die
Jack White - No Name
Although I have had reticence with Remember That You Will Die this year, the album has grown on me significantly. Jack White’s surprise release, however, recaptures the energy that defined him in an arresting way.
Wesley Fuller - All Fuller, No Filler VS. The Lemon Twigs - A Dream Is All We Know
Wesley Fuller - All Fuller, No Filler
Big upset here,, especially as The Lemon Twigs were darlings due to the incredible artistic success of Everything Harmony last year. That album may have hurt A Dream Is All We Know to a degree, because the likelihood that they would recapture the magic of that album was low and objectively comparing two albums released that close to one another is just plain difficult. There is a sense, however, that A Dream Is All We Know was an attempt to nostalgically recapture an aesthetic rather than reinventing a well-trod style. Fuller is a retro-rocker as well, but his playful nature and wry sense of melody is nearly irresistible.
Viewer’s Choice Results
Chrystabell & David Lynch - Cellophane Memories VS. Bill Rieflin - Birth of a Giant
Bill Rieflin - Birth of a Giant
Allan Holdsworth - Metal Fatigue VS. Peter Gabriel - i/o (Bright Side Mix)
Peter Gabriel - i/o (Bright Side Mix)
Jack White - No Name VS. Van Halen - A Different Kind of Truth
Jack White - No Name
Wesley Fuller - All Fuller, No Filler VS. The Lemon Twigs - A Dream Is All We Know
Wesley Fuller - All Fuller, No Filler