Review and discussion on Gentle Giant's 1975 album Free Hand, in memory of bassist and multi-instrumentalist Ray Schulman. Special discussion on the 2021 Steven Wilson remix.
Tuesday, May 2, 2023
That "Gentle Giant Thing:" Free Hands and Flow
Friday, April 28, 2023
2023 Album Showdown Results: Tier 2, Week 3
Alvvays – Blue Rev
Meule is a pretty incredible project, but a significant
aspect of what they do comes off best in a live setting. The complexity of their interactions is obscured
in the process of recording. Alvvays is
straightforward, killer songwriting. Not
a dud in the bunch.
Tegh & Adel Poursamadi -Ima VS. Johann Johannson –
Englaborm & Variations
Johann Johannson – Englaborn & Variations
I am a very big advocate for the dark ambient/world
crossover of Ima, but Johannson is magical, even on his debut
album. The responses of his compositional
peers on the Variations are also compelling, if not quite so distinctive.
Parannoul – After the Magic VS. The Adventures of Jet
– Part 3: Coping With Insignificance
The Adventures of Jet – Part 3: Coping With Insignificance
Part 3: Coping With Insignificance really grew on me,
now that I have finally recovered from the identity shift from Bobgoblin to
Adventures of Jet (over twenty years later).
This one may gain momentum as we go forward.
P.O.S. – Chill, Dummy VS. Tyler, the Creator – Igor
P.O.S. – Chill Dummy
I’m not sure if I really “get” Igor, although I like
it. P.O.S. has the home court advantage
here, as a long-standing favorite that has never failed to make an impression. I love his incisive intellect and musically creative
instrumental side, and although this album leans a bit more towards hip-hop
standards, it still stands way above the average.
Viewer’s Results
Meule – Meule VS. Fleetwood Mac – Tusk
Fleetwood Mac – Tusk
Tegh & Adel Poursamadi – Ima VS. Johann Johannson
– Englaborn & Variations
Johann Johannson – Englaborn & Variations
Parannoul – After the Magic VS. Nordic Giants – Build
Seas, Dismantle Suns
Nordic Giants – Build Seas, Dismantle Suns
P.O.S. – Chill, Dummy VS. Tyler, the Creator –
Igor
Tyler the Creator - Igor
Saturday, April 22, 2023
2023 Album Showdown Series: Tier 2 Week 2
Interesting things are staring to happen when we get to Tier 2. First of all, the Viewer’s Bracket has started to diverge. Some of those showdowns may not look anything like the prime bracket, and I find that to be VERY interesting. Secondly, from Tier 2 on, albums that do not move on to the next bracket will actually be removed from consideration for Album of the Year, and not just punted to a later bracket. There is still a level of redundancy here, however – between now and the Mid-Year Top 12 posted in June, viewer can exercise six “saves” that will be entered directly into the finals in December. This should catch any albums that were just too good to pass up.
Soccer Mommy – Sometimes, Forever VS Ziemba – True Romantic
Soccer Mommy – Sometimes, Forever
Soccer Mommy’s Daniel Lopatin-produced follow up to Color Theory stretches the boundaries of the project’s sound without changing its central mission statement: infectiously singable sounds backed by disarmingly rich instrumental accompaniment. Hard Win.
Riverside - I.D.Entity VS. Charlotte Wessels – Six Feet
Under v. 1&2
Riverside – I.D.Entity
I.D.Entity reminds me that I came to love progressive rock
in the 80s, when 90125, Power Windows, and Clutching at Straws defined the
genre. This reinvented idea of
progressive rock is often maligned by purists, but it resonates strongly with
me. Another hard win.
Broken Bells – Into the Blue VS. The Who – A Quick One
Broken Bells – Into the Blue
This win was a bit more hard-fought, and made more
complicated by my recent reinvigorated interest in Pete Townshend. I finally decided that I was assessing Broken
Bells’ success by the Who’s potential as it is represented on A Quick One. Its an amazing album, but doesn’t represent
what the band would eventually evolve into.
Skald – Huldufolk VS. Pink Floyd – More OST
Skald – Huldufolk
Every time I listen to More, I am convinced that it is unstoppable
– that is, until I get to the second half, which comes off like a collection of
loose, jammy ditties. Again, a pivotal
album, but not one that represents the band’s best work. I have a lot of respect for Skald and their dedication
to reinventing traditional Nordic culture and showing its relevance for the
present day.
Viewer’s Results
Soccer Mommy – Sometimes, Forever VS. Soup – Visions
Soup – Visions
Riverside – I.D. Entity VS. Sault – Today and Tomorrow
Riverside – I.D. Entity
Broken Bells – Into the Blue VS. The Who – A Quick One
Broken Bells – Into the Blue
Skald – Huldufolk VS. Rammstein – Sehnsucht
Rammstein - Sehnsucht
Thursday, April 20, 2023
Saturday, April 8, 2023
2023 Album Showdown Results: Tier 1 Week 6
HHY & the Kampala Unit – Lithium Blast VS. Sault – Earth
Sault – Earth
This is more like a punt than a showdown result. Sault's Earth is simply more immediate than Lithum Blast. With its gospel choir and West African drumming components, Earth also represents one of the more cohesive entries in Sault's 2022 5-album drop, so its also a compelling representative of that pool of albums. I need more time with the denser but no less compelling content of Lithium Blast, which will be back this Summer.
Viewer’s Choice: Sault – Earth
Fleetwood Mac – Tusk VS. Alvvays – Blue Rev
Alvvays – Blue Rev
Tusk has some very, very high points that are made even more compelling due to their nostalgic weight. IN comparison, Blue Rev is chock full of powerfully written and brilliantly executed songs that are both familiar and novel. It invites repeated listening, whereas Tusk gets bogged down in unevenness.
Viewer’s Choice: Fleetwood Mac – Tusk
Accordo dei Contrari – UR- VS. The Meters – Rejuvenation
The Meters – Rejuvenation
A central tenet of composition is that if a piece of music remains at the same level of intensity and volume, it loses its effectiveness. As incredible as the musicianship is on UR-, the sense that the band is going full-throttle in lurching asymmetrical time signatures wears thin. The Meters are way more accessible and fun, and have a similar level of musicianship that is simply executed in a different style.
Viewer’s Choice: The Meters – Rejuvenation
clipping. – Visions of Bodies Being Burned VS. Sault – Untitled
(God)
clipping. – Visions of Bodies Being Burned
clipping. is just on a different level. The somewhat disturbing subject matter of the lyrics might be a turn-off for some, but their adventurous and often avant-garde reinvention of hip-hop conventions wins out for me.
Viewer’s Choice – Sault – Untitled (God)
2023 Album Roundup Series: April Tier 2 Contenders
Six new albums for your earholes, including:
The Dirty Projectors - Bitte Orca (2009) Makaya McCraven - In Our Times (2022) Parannoul - After the Magic (2023) Hirshikesh Hirway - Rooms I Used To Call My Own (2022) P.O.S. - Chill, Dummy (2017) Gospel - The Loser (2022)Saturday, April 1, 2023
2023 Album Showdown Results: Tier 1, Week 5
Sault – Untitled (God) VS. Xenia Rubinos – Una Rosa
Xenia Rubinos – Una Rosa
An argument could be made that Una Rosa’s eclecticism makes for a disorienting listening experience, but Rubino’s raw creativity, emotive vocals, and cultural flair wins out for me.
Viewer’s choice: Xenia Rubinos – Una Rosa
Brendan Eder Ensemble – Therapy VS. The Weeknd – Dawn FM
Brendan Eder Ensemble – Therapy
Very tough one, made no easier by the genre clash involved. Brendan Eder’s ambient neoclassicism is both soothing and emotionally bracing, however, and emerged as the soundtrack to snowy days this winter.
Viewer’s choice: The Weeknd – Dawn FM
The Samurai of Prog - Anthem to the Phoenix Star VS. Jockstrap – I Love You Jennifer B
Jockstrap – I Love You Jennifer B
Well-crafted, stylistically diverse songs win out here again. There is also a “prog-by-numbers” aspect to Anthem to the Phoenix Star that doesn’t sit well with me in 2023.
Viewer’s Choice – I Love You Jennifer B
The Who – A Quick One VS. Weyes Blood – And In Darkness, Hearts Aglow
The Who – A Quick One
Very, very tough choice. From an objective production standpoint, Weyes Blood would be the clear winner, but that metric is doesn’t take into account the differences in production standards between the 60s and 2023 (which are vast). I am convinced that no one had any idea how to record Keith Moon’s drums back then - a point that actually reinforced my choice. There is no question that every note on A Quick One was made by human hands. No Digital Audio Interface, and probably relatively little studio trickery. Just four guys playing their butts off and essentially creating rock in the process.
Viewer’s Choice – A Quick One







