A discussion on the collaborative album from Angelo Badalamenti and David Lynch, with an eye on its relevance to the Twin Peaks canon.
The previous post on Fire Walk With Me Dr Spin swag
A discussion on the collaborative album from Angelo Badalamenti and David Lynch, with an eye on its relevance to the Twin Peaks canon.
Rufus du Sol – Solace VS. Sloan – Steady
Sloan – Steady
The songs are memorable and the production quality is ridiculous
on Solace, but Sloan captures the heart of what I consider to be power
pop in an irresistible way. Easy win for
me.
Viewer’s Choice: Rufus du Sol – Solace
Charlotte Wessels – Tales from Six Feet Under v. 1 & 2 VS Sault –
Today and Tomorrow
Charlotte Wessels – Tales from Six Feet Under v. 1 & 2
There’s a lot to say about the dirty bomb that Sault suddenly
dropped at the end of last year. Surpassing
even their own prolific ways, they released five albums at once with Today and Tomorrow
being their “rock” entry in the set. It’s
a pretty raw release, but like many Sault albums, it has several really great high
points and a few less convincing moments.
Tales From Six Feet Under is bigger, cleaner, and more consistent across its two volumes.
Viewer’s Choice: Sault – Today and Tomorrow
Infinity Knives & Brian Ennals – King Cobra VS. Nnamdi –
Please Take a Seat
Nnamdi – Please Take a Seat
Nnamdi was the clear winner for me here. King Cobra is a pretty refined rap album, but Nnamdi crushes genre in a playful and complex way that I find really appealing.
Viewer’s Choice: Nnamdi – Please Take a Seat
Floating Points – Eleania VS. Frank Sinatra – Watertown
Frank Sinatra – Watertown
This right here is the reason for the redundancy of the mid-year
Tier 5 bracket. Both Elaenia and
Watertown could potentially emerge as a Top 20 album, so eliminating one of them in Tier
1 seems premature. With that in mind, I
have to go with Watertown.
Keep in mind that Floating Points has been a fixture in my
Top 20 for the past couple of years. He’s
a genius at what he does and his uniquely exploratory style really resonates
with my intellectual side. Watertown,
however, hits me in the gut.
When you listen to Sinatra, there is no question as to what he is
singing about. Especially in his later
work, his performances dripped with a sense of nostalgic reflection. Coupling that with the topics of loss and
longing that sit at the core of Watertown results in some masterfully tear-jerking
moments. That’s special.
But Floating Points will be back.
Viewer’s Choice: Floating Points - Elaenia
New listening! Including albums from:
Riverside - ID.Entity (2022) Soccer Mommy - Sometimes, Forever (2022) Broken Bells - Into the Blue (2022) Meule - Meule (2021) Tegh & Adel Poursamadi - Ima (2022) Skald - Huldufolk (2023)Another week of thought-provoking showdowns. This year’s Tier 1 brackets were generated by statistics over stylistic similarities, which in many cases resulted in unfathomable genre clashes. Never fear, as the tiers to follow take genre into consideration! In truth, it's fun and interesting to use these mismatches as a guide for combing through my ridiculously large Bandcamp wishlist, looking for albums that make sense as a contender for either outcome.
Adventures of Jet - Part 3: Coping With Insignificance VS. Nordic Giants - Build Seas, Dismantle Suns
Adventures of Jet - Part 3: Coping With Insignificance
It would seem that this is another example of musical depth VS. accessibility, but Adventures of Jet (or, as they are sometimes known, Bobgoblin) are an example of a project that is able to excel in both metrics. As great as Build Seas, Dismantle Suns is, I don’t walk around with Nordic Giant’s tunes in my head (well, maybe not all the time).
Viewer’s Choice: Nordic Giants - Build Seas, Dismantle Suns
Sault - AIIR VS. Gunship - Dark All Day
Gunship - Dark All Day
The orchestral thread in Sault’s music is compelling from a musical standpoint and thought-provoking as a cultural statement. I think that AIIR is a great companion piece to AIR, but Gunship’s dark, gothic, and pristinely produced gothic synthwave edges Sault out by a narrow margin.
Viewer’s Choice - Dark All Day
The Sun Ra Arkestra - Living Sky VS. Laurie Anderson - Big Science
Laurie Anderson - Big Science
This was actually a pretty tough one, because both of these projects represent an avant-garde take on an established style. As a current-day release, however, Living Sky endeavors to recapture the experimental ethos of the past. In contrast, Big Science was innovative at the time of its release, and remains a transfixing listen despite a couple of strident (but musically meaningful) moments.
Viewer’s Choice - Big Science
Rammstein - Sensucht VS. Pink Floyd - More
Pink Floyd - More
Although this is really the first clear step that Pink Floyd would take towards their most popular iteration, it is a problematic album when taken on its own. Still, its high points predict some of Pink Floyd’s most characteristic work, and although I do love the beefy industrialism of Sensucht, the militaristic German language vocals wear me down by the album’s end.
Ghost – Meliora VS. Air - 10,000 Hz Legend
Ghost – Meliora
This one was pretty decisive for me, as I think that 10,000
Hz Legend falls off on its back end.
Ghost’s indulgence satanic imagery was the only real argument against
them, but for me, their alluring musicality and songwriting skills outweigh
this subjective concern.
Viewer’s Choice: Ghost – Meliora
Taylor Swift – Folklore VS. Steve Reich – Runner/Music
for Ensemble and Orchestra
Steve Reich – Runner/Music for Ensemble and Orchestra
I genuinely appreciate the artistry that Swift is mining on Folklore,
but as an album, its reliance on lyric-based songwriting makes the album feel a
bit musically repetitive by its end. Paradoxically,
Steve Reich’s style is largely based on repetition, yet it never fails to keep
me engaged with kaleidoscopic, meditative cross-rhythms and angular melodies. I have gotten no small amount of
entertainment wondering what it would be like if Steve Reich had collaboratively
composed the accompaniment to Folklore.
Anyone feel like starting a petition?
Viewer’s Choice: Taylor Swift – Folklore
The Smile – A Light for Attracting Attention VS.
Martha – Please Don’t Take Me Back
The Smile – A Light for Attracting Attention
In all of the problematic showdowns from this week, the
tension between accessible songwriting and musical depth was a significant metric. In this case, Martha’s punky power pop is
immediately infectious, whereas The Smile takes more musical chances in lieu of
memorable songwriting. In this
particular case, however, I felt like leaving A Light for Attracting
Attention behind for the immediate gratification of Please Don’t Take Me
Back would be a misstep.
Viewer’s Choice: The Smile – A Light for Attracting
Attention
Ziemba – True Romantic VS. Soup – Vision
Ziemba – True Romantic
This was easily the most difficult one, again dealing with accessible songwriting VS. musical depth. I was surprised as anyone about this outcome, because Soup created what I consider to be a personal classic in this album’s predecessor, Remedies. Although Visions is a beautifully rendered album with influences that I sincerely connect with, it also contains some frustrating production choices and downplays the incredible songwriting of its predecessor. Although True Romantic often dips into cliché, Ziemba’s straightforward songwriting skills are inarguable, and the production serves the songs admirably.
Viewer’s Choice: Soup – Vision