Thursday, June 5, 2025

2025 Album Showdown Results: Tier 3, Part 1


This post gives us the first glimpse into Tier 3, where we start to get a good indication of what our Mid-Year Top 12 is going to look like.  What I find really fascinating by this point is how the Viewer’s Choice results have deviated from the Prime results, sometimes culminating in completely different showdowns!

To keep things moving, there are six results posted for each tournament.


88Kasyo Junrei - Genma Taisai VS. Slothrust - Parallel Timeline


88Kasyo Junrei - Genma Taisai


Overall, the songwriting, performances, and general vibe of Parallel Timeline is engaging, but the frenetic virtuosity of Genma Taisai, along with some momentum borne of a year or two of interest, gives it the edge.




clipping. - Dead Channel Sky VS. Missing Persons - Spring Session M


clipping. - Dead Channel Sky


While I have had my misgivings about Spring Session M from a songwriting perspective, it has generally won me over this Spring.  Choruses are hamfisted and repetitive, but by and large, the playing is subtle, detailed, and flawlessly executed in way befitting a group of Zappa alumni.  Dead Channel Sky, however, is immediately raw and arresting.  Dahveed’s Digg’s verbal execution is simply beyond belief, and the texture of his voice allows his performances to drip with menace.  This, along with the album’s avant-garde tendencies, distance it from any nostalgic edge that Spring Session M might have.




Jenny Hval - Classic Objects VS. Monika Roscher Bigband - Witchy Activities and the Maple Death


Monika Roscher Bigband - Witchy Activities and the Maple Death


Both Jenny Hval and Monika Roscher are artists whose clarity of vision is fueled by immense intellect and innate musicality, despite being rendered in significantly different ways.  In terms of quality, these albums are nearly matched.  In terms of character, however, I have to give the prize to Monika Roscher.  Her distinctive big band compositional concept sits at a unique stylistic nexus that just happens to hit me where I live. .




Keith Jarrett - My Song VS. Count Basie and Quincy Jones - Basie One More Time


Count Basie and Quincy Jones - Basie One More Time


A compelling case could also be made for either of these “jazz giant” albums to advance.  Clearly, Keith Jarrett’s incomprehensible mastery, which is matched by his bandmates, provide him with the freedom to imbue every melody and chord with meaning and musicality for those dedicated enough to honor it with a focused listen.  Count Base, as a big band leader, is more tied to Quincy Jones’ compositions, and therefore has less improvisational freedom. The band’s stylistic nuance and vital drive, however, is more immediately and consistently engaging, earning him this win 




The Tongue of Eden - Fallow VS. Opeth - The Last Will and Testament


Opeth - The Last Will and Testament


I don’t know that I have heard another project cross extreme metal with electronica in quite the same way as The Tongue of Eden.  Their novel approach is consistently interesting, and also consistently captures my attention.  The Last Will And Testament, however, is simply a masterfully crafted album that summarizes everything that Opeth has ever done well.  And in their career, they have done LOTS of things very well.




Randy McStine - Mutual Hallucinations VS. Meer - Wheels Within Wheels


Meer - Wheels Within Wheels


I have fought through a lot of resistance with Meer, and I think that it's because my least favorite part of the album is its first three minutes.  First impressions are hard to shake.  After sitting with it over the course of the Spring, however, I have been increasingly drawn into its distinctive style.  While I think that Wheels Within Wheels is inarguably a prog album, it's a bit tricky to pin down a clear antecedent.  They don’t seem to directly mine the “Big Three” (King Crimson, Yes, and Genesis,” but have a unique take all their own.  That realization, along with the album’s orchestral scope and impressive compositional strengths, finally won me over. 




Viewer’s Choice Results


SlapSlap - Good Idea, Bad Execution VS. Soft Machine - Bundles


Soft Machine - Bundles




clipping. - Dead Channel Sky VS. Missing Persons - Spring Session M


Missing Persons - Spring Session M




Jhariah - Trust Ceremony VS. Fleetwood Mac - Fleetwood Mac


Fleetwood Mac - Fleetwood Mac





Jethro Tull - Thick as a Brick  VS. Count Basie and Quincy Jones - Basie One More Time


Count Basie and Quincy Jones - Basie One More Time



Dream Theater - Parasomnia VS. Health - Rat Wars


Dream Theater - Parasomnia




Circe Link & Christian Nesmith - Arcana VS. Meer - Wheels Within Wheels


Meer - Wheels Within Wheels

Wednesday, June 4, 2025

2025 Album Roundup Series - Tier 2: The Final Frontier

The last group of Tier 2 albums for this Spring! Ghost - Skeleta (2025) death's dynamic shroud - Midnight Tangerine (2023) Mount Eerie - Night Palace (2024) The Avalanches - We Will Always Love You (2020) Girlfriends and Boyfriends - Fallacy of Fairness (2021) Marvelous 3 - The Hey! Album (1998)


And furthermore, the ever-expanding universe that is the 2025 Radio playlist

Wednesday, May 21, 2025

2025 Album Showdown Results: Tier 2, Week 4


Monika Roscher Bigband -
Witchy Activities and the Maple Death VS. Fleetwood Mac - Fleetwood Mac

Monika Roscher Bigband - Witchy Activities and the Maple Death


I have a huge amount of respect and love for Fleetwood Mac, and considering that this self-titled reboot contains one of the finest songs ever written (I’m looking at you, Rhiannon), it would seem that this would be a shoe-in.  Based solely on its high points, I think that this would be the case.  I am, however, a full album listener, and one that is unencumbered by any nostalgia for Fleetwood Mac in its entirety.  With that in mind, there are several ho-hum tunes on the album (often ones penned by Christine McVie) that I think drag down the overall experience.  In comparison, Witchy Activities and the Maple Death consistently and confidently sits at the nexus of a variety of jazz, progressive rock, electronica, and avant-garde styles in a way that I find personally exciting.  It has emerged as one of my absolute favorites from this Spring.  




Keith Jarrett - My Song VS. Jethro Tull - Thick as a Brick


Keith Jarrett - My Song


Thick as a Brick is another album that carries no small amount of nostalgic baggage for people.  It is, for many, an absolute prog classic - a status that I think is justified.  Its compositional and conceptual strengths absolutely hold up in comparison to other classic prog albums like Close to the Edge and In the Court of the Crimson King.  As a prog fan, it's a pretty huge upset for Thick as a Brick to lose out to nearly anything, so selecting a fair comparative listen seemed nearly impossible.  However, as musically adventurous and cohesive as Jethro Tull was at this stage of their career, Keith Jarrett’s deep virtuosity handily surpasses them.  The muted tone of My Song may not immediately reveal its genius, but just a few moments of active listening during any point on the album reveals a constantly shifting, yet intuitively cohesive harmonic landscape whose boundaries lie way beyond those of Thick as a Brick.  It's extradimensional in a way that only a musical seeker/master could achieve.  




Mo Troper - Svengali VS. Meer - Wheels Within Wheels


Meer - Wheels Within Wheels


In my roundup post, I applauded Mo Troper’s ability to write satisfying short-form songs, and I still hold this opinion.  The problem with the album, however, shows up in its instrumental tracks.  The Svengali Themes Parts 1-6 show an instrumental aspect to Troper’s work that is interesting, but the presentation feels fragmented and incomplete.  I think he could have gotten better mileage out of these ideas by incorporating them into the songs as instrumental excursions.  While this approach may alter the respectable directness of Troper’s songs in their current form, it could also generate more compositional nuances and expand narrative capacities.  While Meer might justifiably draw some criticisms in terms of its dangerously sanitary production, it's comparatively difficult to find fault with their compositions and storytelling.  




Health - Rat Wars  VS. The Tongue of Eden - Fallow


The Tongue of Eden - Fallow


Sonically speaking, I think that these albums actually have more in common than not.  They share a compelling mix of metal and electronica that places them both, at least partially, in industrial music realms. As industrial music has its roots in clubbing and dance, the sensual melodicism and crushing melancholy of Rat Wars would make it an easy choice for a rave, aligning it most closely with the traditions of the genre.  Fallow, however, gives up broad accessibility for innovation.  Its unique combination of synthwave and  extreme metal creates engaging juxtapositions that offset the limitations of pervasive non-pitched vocals and, by extension, keeps my interest.




Viewer’s Choice Results 


Monika Roscher Bigband - Witchy Activities and the Maple Death VS. Fleetwood Mac - Fleetwood Mac


Fleetwood Mac - Fleetwood Mac




Keith Jarrett - My Song VS. Jethro Tull - Thick as a Brick


Jethro Tull - Thick as a Brick




Mo Troper - Svengali VS. Meer - Wheels Within Wheels


Meer - Wheels Within Wheels



Health - Rat Wars  VS. The Tongue of Eden - Fallow


Health - Rat Wars



Sunday, May 18, 2025

2025 Album Roundup Series: May Tier 2 Contenders

More great music for your consideration, including:

Monika Roscher Bigband - Witchy Activities and the Maple Death (2023) Mo Troper - Svengali (2024) Keith Jarrett - My Song (1977) Randy McStine - Mutual Hallucinations (2024) Health - Rat Wars (2023)
The Bee Gees - Main Course (1975)


Check in on all of this year's music so far with a big sample platter found below

Tuesday, May 13, 2025

2025 Album Showdown Results: Tier 2, Week 3


Field Music - Limits of Language VS. Todd Rundgren - 2nd Wind

Todd Rundgren - 2nd Wind


This is a pretty big upset, considering that I was pretty apprehensive about the somewhat stiff performances and production polish found on 2nd Wind.  This one was enhanced greatly, however, by context.  The unique “live in the studio” setting was too interesting and rich to pass up, and its sonic connection to Zappa’s contemporaneous work gave it a slight edge over hometown favorites Field Music.




Hotline TNT - Cartwheel VS. Slothrust - Parallel Timeline


Slothrust - Parallel Timeline


The noisy ‘90s shoegaze vibe of Cartwheel has served it very well in the tournament up to this point, but Slothrust’s superior songwriting could not be ignored.  




Bacao Rhythm & Steel Band - Extensions VS. Missing Persons - Spring Session M


Missing Persons - Spring Session M


Superficially, Spring Session M contains some blunt songwriting.  Under the hood, however, there’s an insane amount of detail and virtuosic performances.  Extensions is entertaining, fun, and in many ways quite ingenious, but the Missing Persons wins out.




Brendan Byrnes - Transfigured Earth I & II VS. betcover!! - Jikan


Brendan Byrnes - Transfigured Earth I & II


I find Byrnes’s microtonal songwriting and experimental instrumentals endlessly interesting and musically satisfying.  betcover!!’s prog-adjacent noir psychedelia could have posed a real threat if it weren’t for a couple of curiously distasteful guitar solos.   




Viewer’s Choice


Field Music - Limits of Language VS. Todd Rundgren - 2nd Wind


Field Music - Limits of Language


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Soft Machine - Bundles VS. Slothrust - Parallel Timeline


Soft Machine - Bundles





Bacao Rhythm & Steel Band - Extensions VS. Missing Persons - Spring Session M


Missing Persons - Spring Session M



Noah Kahan - Stick Season VS. betcover!! - Jikan


Noah Kahan - Stick Season